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Frank Frazetta - Dian HansonFrank Frazetta’s fame as the king of fantasy art grows greater every year, as his paintings set new annual auction records. His muscular, fleshy, action-packed oils of heroes, monsters and maidens have defined fantasy worlds for over 50 years and now come at the most affordable price ever. All Hail the King of Fantasy Art Frank Frazetta in your pocket Frank Frazetta has reigned as the undisputed king of fantasy art for well over 50 years, the value of his paintings now climbing as high…

Frank Frazetta - Dian HansonFrank Frazetta’s fame as the king of fantasy art grows greater every year, as his paintings set new annual auction records. His muscular, fleshy, action-packed oils of heroes, monsters and maidens have defined fantasy worlds for over 50 years and now come at the most affordable price ever. All Hail the King of Fantasy Art Frank Frazetta in your pocket Frank Frazetta has reigned as the undisputed king of fantasy art for well over 50 years, the value of his paintings now climbing as high as his fans’ admiration. Each year his works break the previous year’s auction records, with the cover for Lancer books 1967 Conan bringing $13.5 million in September 2025. Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. Self-described as lazy and difficult, he often started a painting the night before it was due, completing it in mere hours, yet delivering a masterpiece—often still wet, but a masterpiece, nonetheless. He started in comics at age 16, including the infamous EC Comics, moved on to film posters, then to Tarzan and Conan pulp covers. Along the way he produced magazine covers for National Lampoon, though at odds with the editors’ “hippy politics,” made the animated film Fire & Ice with director Ralph Bakshi, and learned to paint left-handed at age 68 after the first of many strokes paralyzed his right hand. As he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him.” Using this first-hand knowledge of muscle and macho he redefined fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before, and their female counterparts as thick-thighed, heavy-buttocked, and pixie-faced, yet still, with their soft bellies and hints of cellulite, believably real. All in all, Frazetta’s art is addictive as potato chips, and now available in a compact, attractive and affordable package.