Produkt mají v nabídce:
Critical Race Theory and Copyright in American Dance - Picart, Caroline Joan S.
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining LoĂe Fuller, George Balanchine, and Martha Graham.
