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Picturing the 'Pregnant' Magdalene in Northern Art, 1430-1550 - Jolly, Penny Howell

Examining innovations in Mary Magdalene imagery-including her dress-in northern art 1430 to 1550, Penny Jolly explores how the saint's widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet.

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